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                <text>Covering Photography Main Collection</text>
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    <name>Still Image</name>
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        <name>Photographer</name>
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            <text>Kertész, André</text>
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        <name>Author</name>
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            <text>Malson, Helen</text>
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            <text>Women's Studies/Psychology/Anorexia Nervosa</text>
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            <text>Distortion No. 40, Paris 1933</text>
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            <text>Foley, Terry</text>
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            <text>In the early 1930s, André Kertész was commissioned to do a group of nude portraits of women, reflected in a parabolic mirror, similar to those found in funhouses. Back then, it would have been difficult to imagine that an image like this would have been used on the cover of a book about Anorexia Nervosa and female body image.&lt;br /&gt;&lt;br /&gt;Compare the visual metaphor created by Kertész's image with that of Ruth Thorne-Thomsen, used on the cover of a book about similar subject matter, found &lt;a href="https://coveringphotography.bc.edu/items/show/6379"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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              <text>The Thin Woman: Feminism, Post-Structuralism and the Social Psychology of Anorexia Nervosa</text>
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          <name>Publisher</name>
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          <name>Date</name>
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              <text>1998</text>
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