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              <text>Meatyard, Ralph Eugene</text>
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              <text>Reifler, Nelly</text>
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              <text>Short Stories</text>
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              <text>Madonna 1964 (large detail)</text>
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              <text>This copy is an uncorrected proof; an advance reading copy. To my knowledge, it was not used for the mass market &amp;nbsp;publication.&lt;br /&gt;&lt;br /&gt;To view a version of Meatyard's photo from the collection of the Minneapolis Institute of the Arts, click &lt;a href="https://collections.artsmia.org/art/20038/madonna-ralph-eugene-meatyard"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>See Through (Uncorrected Proof)</text>
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                <text>Simon &amp; Schuster</text>
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                <text>2003</text>
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              <text>Link, O. Winston</text>
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              <text>U.S. History / Post WWII</text>
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              <text>Hotshot Eastbound passing the Iaeger Drive-in, Iaeger, West Virginia  1956 (large detail)</text>
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              <text>Documentary (Night)</text>
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              <text>Coe, Diana</text>
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          <description>Author of the book upon which the photograph appears</description>
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              <text>Boyer, Paul S.</text>
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              <text>&lt;em&gt;Hotshot Eastbound passing the Iaeger Drive-in&lt;/em&gt; is one of photographer O. Winston Link's signature images; certainly one of the most often reproduced. Here, on the cover of Paul S. Boyer's history of the United States and its post-war status in the world, we observe in the span of one photo the sweep of progress in modes of transportation, from the locomotive to the automobile to the jet airplane (Link montaged the plane image onto the screen). Also noted is the young couple in the convertable at the drive-in; a classic scene from the '50s, right out of Quentin Tarantino, with the caveat that Tarantino would not be born for another seven years.&lt;br /&gt;Stylistically, Link's photo is slightly cropped and toned blue for the cover, and has a ragged-edge look that is reminiscent of Polaroid positive-negative (Type 55) film.&lt;br /&gt;&lt;br /&gt;To view an original version of O. Winston Link's photo, from the collection of the Museum of Fine Arts, Houston, click &lt;a href="https://emuseum.mfah.org/objects/118910/hot-shot-eastbound"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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            <description>A name given to the resource</description>
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                <text>Promises to Keep: The United States Since the Second World War.</text>
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                <text>Houghton Mifflin</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>Fukase, Masahisa</text>
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          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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              <text>Heinrich, Bernd</text>
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              <text>Ravens / Sociobiology</text>
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              <text>Erimo Cape, 1976 (large detail)</text>
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          <description>Notes associated with the item</description>
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              <text>To view an uncropped version of Masahisa Fukase's photo from the Art Basel site, click &lt;a href="https://www.artbasel.com/catalog/artwork/84812/Masahisa-Fukase-Erimo-Cape"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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          <name>Photo Genre</name>
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              <text>Documentary</text>
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                <text>Ravens in Winter</text>
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                <text>Vintage</text>
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                <text>1991</text>
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              <text>Nègre, Charles</text>
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          <description>Author of the book upon which the photograph appears</description>
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              <text>Smith, Dominic</text>
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              <text>Le Stryge (The Vampire) 1853 (large oval detail)</text>
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              <text>Cityscape / Portrait (Salt Print)</text>
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              <text>Lee, Jeanne M. (Jacket art: Marc Yankus)&#13;
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              <text>Despite the title of this novel, the cover image is not by Louis Jacques Mandé Daguerre, nor is it a portrait of Daguerre. It is by Charles&amp;nbsp;Nègre, another French&lt;br /&gt;phtotographer of the era, and the figure standing next to the famous Notre Dame gargoyle is yet another photographer, Henri LeSecq.&lt;br /&gt;Daguerre, one of the inventors of photography, named the results of his new process &lt;em&gt;Daguerreotypes&lt;/em&gt;. They were exquisitely detailed images on a silvery, mirror-like surface, and were, in fact, one of a kind. There was no negative from which positive copies could be made. Daguerreotypes were often presented in frames like the one illustrated on this book's cover.&lt;br /&gt;Negre's photograph, however, is not a Daguerreotype; it is a &lt;em&gt;Salt Print&lt;/em&gt;, a process invented by &lt;a href="https://coveringphotography.bc.edu/items/browse?advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+empty&amp;amp;advanced%5B1%5D%5Belement_id%5D=58&amp;amp;advanced%5B1%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B1%5D%5Bterms%5D=Fox+Talbot%2C+William+Henry&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;user=&amp;amp;public=&amp;amp;featured=&amp;amp;search="&gt;William Henry Fox Talbot&lt;/a&gt;, in which an intermediary paper negative was exposed, theoretically allowing multiple positives to be made.&lt;br /&gt;&lt;br /&gt;The title of the photograph, &lt;em&gt;Le Styrge&lt;/em&gt; (translates to &lt;em&gt;The Vampire&lt;/em&gt;), is generally credited to &lt;span&gt;André Jammes.&lt;br /&gt;&lt;br /&gt;To view an uncropped version of Nègre's photo, from the collection of the Musée d'Orsay, click &lt;a href="https://www.musee-orsay.fr/en/artworks/le-stryge-118634"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>The Mercury Visions of Louis Daguerre</text>
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                <text>Atria Books</text>
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                <text>2006</text>
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              <text>Eggleston, William</text>
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              <text>Bergen, David</text>
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              <text>Untitled (Near Minter City and Glendora, Mississippi) 1970 (large detail)</text>
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              <text>To view an uncropped version of William Eggleston's photo, from the colecction of the Metropolitan Museum of Art, click &lt;a href="https://www.metmuseum.org/art/collection/search/302304"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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              <text>To view an uncropped version of Elliot Erwitt's photo, click &lt;a href="https://www.holdenluntz.com/artists/elliott-erwitt/paris-1989-dog-jump/"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>The Other End of the Leash: Why We Do What We Do Around Dogs</text>
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              <text>Lange, Dorothea</text>
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              <text> Ex-Slave with Long Memory, Alabama ca. 1937 (painted detail copy)</text>
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              <text>This cover includes a painting by Joseph Holston, entitled &lt;em&gt;Miz Emily 1984. &lt;/em&gt;It is clearly taken from Dorothea Lange's well-known photograph &lt;em&gt;Ex-Slave with Long Memory, Alabama&lt;/em&gt; (ca. 1937). This copy is perfectly legal, as Lange's image for the Farm Security Administration, is in the public domain.&lt;br /&gt;&lt;em&gt;Miz Emily&lt;/em&gt; - a large detail of Lange's original - is also and entirely appropriate image for the book's subject matter.&lt;br /&gt;What interests me is how &lt;em&gt;Ex-Slave&lt;/em&gt; has been transformed in the process of appropriation; elongated and colored in the fiery hues of the sun going down, giving it an injection of clichéd emotion, As if El Greco and Edvard Munch collaborated to make "something that will sell".&lt;br /&gt;The cover background is an image of burlap, referencing the process of picking cotton.&lt;br /&gt;KB&lt;br /&gt;&lt;br /&gt;To view an uncropped version of Dorothea Lange's original, click &lt;a href="https://www.moma.org/audio/playlist/304/3917"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;To view more books that appropriate Lange's Ex-Slave for their cover image, scroll down to "Multiple Uses".</text>
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              <text>Harris, Karolina</text>
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                <text>The Freedom to Remember: Narrative, Slavery, and Gender in Contemporary Black Woman's Fiction</text>
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                <text>Rutgers University Press</text>
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              <text>Gedney, William</text>
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              <text>Ammaniti, Niccolò</text>
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              <text>Boy rolling a cigarette, Kentucky 1964 (detail)</text>
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              <text>&lt;span&gt;To view an uncropped version of William Gedney's photo, click &lt;/span&gt;&lt;em&gt;&lt;a href="https://theselvedgeyard.files.wordpress.com/2009/11/ky0234-150dpi.jpeg"&gt;here&lt;/a&gt;&lt;/em&gt;&lt;span&gt;.&lt;/span&gt;</text>
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              <text>Documentary</text>
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              <text>Mergenthaler, Gretchen</text>
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            <name>Title</name>
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                <text>As God Commands (front cover and spine)</text>
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                <text>Black Cat</text>
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                <text>2009</text>
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                <text>hidden</text>
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              <text>Ammaniti, Niccolò</text>
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              <text>To view an uncropped version of William Gedney's photo, click &lt;em&gt;&lt;a href="https://theselvedgeyard.files.wordpress.com/2009/11/ky0234-150dpi.jpeg"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;To view the front cover &amp;amp; spine for this book, scroll down and click on "Multiple Views".</text>
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              <text>Mergenthaler, Gretchen</text>
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                <text>As God Commands</text>
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                <text>Black Cat</text>
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              <text>Hawarden, Lady Clementina</text>
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              <text>Boyd, Martin</text>
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              <text>Untitled, ca. 1860</text>
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            <elementText elementTextId="65477">
              <text>The Cardboard Crown, first publishe in 1952, is a genre novel, taking place in late 19th - early 20th century England and Australia, and involving romance and betrayal of Alice Verso and the Langton family.&lt;br /&gt;For the cover of this edition, Lady Clementina Hawarden's portrait has been colored, stylized and set at a window (the original was done in an indoor studio setting) with a couple strolling outside.&lt;br /&gt;&lt;br /&gt;To view an unmanipulated version of Hawarden's photo, click &lt;a href="https://www.pinterest.com/pin/18295942211033794/"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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              <text>Hollands, Mike (cover illustration)</text>
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                <text>The Cardboard Crown</text>
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                <text>1972</text>
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              <text>Trafalger Square  1909 (detail)</text>
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              <text>Designer Katy Homans has flipped Coburn's photo for the cover of Howard Sturgis' book.&lt;br /&gt;&lt;br /&gt;To view an uncropped version of Alvin Langdon Coburn's photo, click &lt;a href="https://www.nga.gov/collection/art-object-page.150195.html"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Belchamber</text>
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              <text>Jackson, William Henry</text>
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              <text>Trail in the San Juan Mountains. Cunningham Gulch. Colorado 1875</text>
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              <text>To view William Henry Jackson's photo on Wikipedia, click &lt;em&gt;here&lt;/em&gt;.</text>
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              <text>Landscape (19th Century Exploratory)</text>
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          <name>Designer</name>
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              <text>Hine, Lewis Wickes</text>
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          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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              <text>Brownstone, David M., Irene M. Franck, Douglass L. Brownstone</text>
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              <text>U.S. History / Immigration / Ellis Island</text>
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          <description>Title of photograph</description>
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              <text>Young Russian Jewess, Ellis Island (detail) 1905</text>
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          <name>Notes</name>
          <description>Notes associated with the item</description>
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            <elementText elementTextId="65445">
              <text>To view an uncropped version, with accompanying text, of Lewis Hine's photo, in the collection of the New York Public Library, click &lt;em&gt;here&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;To view more books with the same cover image, scroll down and click on "Multiple Uses".</text>
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          <name>Photo Genre</name>
          <description>Genre of Photograph</description>
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              <text>Social Documentary</text>
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          <description>Designer of book cover</description>
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              <text>Katz, Karen</text>
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            <description>A name given to the resource</description>
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                <text>Island of Hope, Island of Tears</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <description>A name given to the resource</description>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="58">
          <name>Photographer</name>
          <description>Photographer</description>
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              <text>Garnett, William</text>
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        <element elementId="52">
          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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              <text>Atkins, P.W.</text>
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          <name>Book Genre</name>
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          <name>Photograph Title</name>
          <description>Title of photograph</description>
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              <text>Shoreline, Lake Mead, CA 1956</text>
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          <name>Notes</name>
          <description>Notes associated with the item</description>
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              <text>To view William Garnett's photo without graphic design interventions, click &lt;a href="https://www.artsy.net/artwork/william-garnett-shoreline-lake-mead-california"&gt;here&lt;/a&gt;.</text>
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          <name>Photo Genre</name>
          <description>Genre of Photograph</description>
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              <text>Aerial</text>
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          <description>Designer of book cover</description>
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              <text>de Vicq de Cumptich, Roberto</text>
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                <text>The Periodic Kingdom</text>
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            <description>An entity responsible for making the resource available</description>
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              <description>A name given to the resource</description>
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        <element elementId="58">
          <name>Photographer</name>
          <description>Photographer</description>
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              <text>Gilpin, Laura</text>
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          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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            <elementText elementTextId="65422">
              <text>Haruf, Kent</text>
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          <name>Book Genre</name>
          <description/>
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        <element elementId="54">
          <name>Photograph Title</name>
          <description>Title of photograph</description>
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              <text>The Prairie  1917 (detail)</text>
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          <name>Notes</name>
          <description>Notes associated with the item</description>
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              <text>To view an uncropped version of Laura Gilpin's photo, click &lt;a href="https://artsandculture.google.com/asset/the-prairie/wwHEYOyEU4tkcg?hl=en&amp;amp;ms=%7B%22x%22%3A0.5%2C%22y%22%3A0.5%2C%22z%22%3A9.747381574720167%2C%22size%22%3A%7B%22width%22%3A1.6004377355212687%2C%22height%22%3A1.2374999999999987%7D%7D"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.</text>
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              <text>Landscape with Figure</text>
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                <text>The Tie that Binds</text>
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                <text>Holt, Rinehart and Winston</text>
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                <text>1984</text>
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