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              <text>Interestingly, the colophon notes that the book was designed and printed at the Visual Studies Workshop in Rochester, NY.  KB</text>
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              <text>Animal Locomotion, Plate 59 (Man Running 1887 (details)</text>
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              <text>It's difficult finding information about this publication.&lt;br /&gt;Does not show up on internet searches.&lt;br /&gt;&lt;br /&gt;To view the entire Muybridge image, scroll down and click on "Multiple Uses".</text>
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              <text>The Accursed is an historical novel, part of Joyce Carol Oates' Gothic series, set in 1905-6, which is perfect for Clarence White's photo, made in 1906.&lt;br /&gt;The increased contrast in the detail of White's Morning used for this book cover gives the image a ghostly, haunting quality that, in my opinion, is not at all present in the original image. It also reminds me of an Edward S. Curtis photo (&lt;em&gt;Waiting in the Forest - Cheyenne&lt;/em&gt;) on the cover of another book, &lt;a href="https://coveringphotography.bc.edu/items/show/6865"&gt;&lt;em&gt;The Native&lt;/em&gt;&lt;/a&gt;, by David Plante. While the photos were made around the same time (About four years apart), Curtis' is part of a documentary study of the North American Indian, while White's, aside from the fact that almost all photographs are a document of &lt;em&gt;something&lt;/em&gt;, is essentially an image staged to create a mood, or emotional sensibility.&lt;br /&gt;&lt;br /&gt;To view an uncropped version of Clarence White's photo, click &lt;a href="https://artsandculture.google.com/asset/morning/MAH7FSnt-R9CkQ?hl=en"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;To view the front cover &amp;amp; spine of Joyce Carol Oates' book, scroll down and click on "Multiple Views".&lt;br /&gt;&lt;br /&gt;To view more books using the same cover image, scroll down and click on "Multiple Uses".</text>
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              <text>Caleb Carr's The Alienist is a best-selling crime novel from 1994. It takes place at the end of the nineteenth century - 1896 to be exact - and revolves around the hunt for a particularly menacing serial killer. &#13;
While more monetarily successful than most, The Alienist is not unlike other books in its genre, many of which have similarly thematic cover illustrations; ie, dark horse-drawn carriages and enigmatic figures in black cloaks and/or top hats, the idea being that the lack of detail in the image makes it more mysterious. Many of the cover illustrations for books of this genre are sourced from anonymous photographs made in the time period and setting of the plot, and now owned by stock agencies, used as is or perhaps collaged to fit the vision of the designer. &#13;
In this case, the photo is by Alfred Stieglitz, taken in 1901, while he was a part of the Photo-Secessionist movement he helped create. It was also a period when Stieglitz was trying to push the technical limits of the medium by photographing at night and in poor weather. &#13;
What I find interesting about this cover is that the designer has taken a very small (less than 20% of the original image) detail, and blown it up, reducing sharpness and detail, increasing and blunting the grain, resulting in an illustration that conjures a sense of something secretive, seen from a distance or perhaps in a dream.&#13;
&#13;
Click at lower left to see The Street 1901 as frontispiece and as photogravure.&#13;
&#13;
Click on image at left to see full cover spread.</text>
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              <text>To view the entire cover spread, click on image at left.</text>
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              <text>Caleb Carr's &lt;em&gt;The Alienist&lt;/em&gt; is a best-selling crime novel from 1994. It takes place at the end of the nineteenth century - 1896 to be exact - and revolves around the hunt for a particularly menacing serial killer. &lt;br /&gt;While more monetarily successful than most, &lt;em&gt;The Alienist&lt;/em&gt; is not unlike other books in its genre, many of which have similarly thematic cover illustrations; ie, dark horse-drawn carriages and enigmatic figures in black cloaks and/or top hats, the idea being that the lack of detail in the image makes it more mysterious. Many of the cover illustrations for books of this genre are sourced from anonymous photographs made in the time period and setting of the plot, and now owned by stock agencies, used as is or perhaps collaged to fit the vision of the designer. &lt;br /&gt;In this case, the photo is by &lt;a href="https://coveringphotography.bc.edu/items/browse?advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+empty&amp;amp;advanced%5B1%5D%5Belement_id%5D=58&amp;amp;advanced%5B1%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B1%5D%5Bterms%5D=Stieglitz%2C+Alfred&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;user=&amp;amp;public=&amp;amp;featured=&amp;amp;search="&gt;Alfred Stieglitz&lt;/a&gt;, taken in 1901, while he was a part of the &lt;a href="https://en.wikipedia.org/wiki/Photo-Secession"&gt;Photo-Secessionist&lt;/a&gt; movement he helped create. It was also a period when Stieglitz was trying to push the technical limits of the medium by photographing at night and in poor weather. &lt;br /&gt;What I find interesting about this cover is that the designer has taken a very small (less than 20% of the original image) detail, and blown it up, reducing sharpness and detail, increasing and blunting the grain, resulting in an illustration that conjures a sense of something secretive, seen from a distance or perhaps in a dream.&lt;br /&gt;&lt;br /&gt;Click at left to see &lt;em&gt;The Street 1901&lt;/em&gt; as frontispiece and as photogravure.&lt;br /&gt;&lt;br /&gt;Click on image at left to see full cover spread.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>American Historical Association</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45291">
                <text>2000</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text/>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="45297">
                <text/>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45299">
                <text>The American Historical Review (Volume 105, Number 5)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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</itemContainer>
