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              <text>While 'Documentary Photographer' is a simple and convenient way of describing Henri Cartier-Bresson, it is - like many broad characterizations - also a euphemism. Cartier-Bresson, one of the earliest users of 35mm cameras and film, had great curiosity in, and enthusiasm for, the way the world looked as a photograph, regardless of the topic addressed. The compact size of 35mm allowed him to have his Leicas with him constantly, and to photograph when and where he pleased, with minimal setup or constraint. Consequently, his subject matter knew few limits. &lt;br /&gt;For example, it would not be an exaggeration to state that he made perhaps thousands of 'environmental' (that is; in situ, as opposed to in front of a blank seamless à la &lt;a href="https://coveringphotography.bc.edu/items/browse?advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+empty&amp;amp;advanced%5B1%5D%5Belement_id%5D=58&amp;amp;advanced%5B1%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B1%5D%5Bterms%5D=Avedon%2C+Richard&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;user=&amp;amp;public=&amp;amp;featured=&amp;amp;search="&gt;Richard Avedon&lt;/a&gt;) portraits of individuals throughout his long career, including many of the more important artists, scientists, thinkers and statesmen of the 20th century, more than a few of whom were his friends. &lt;br /&gt;One of the better known examples of this might be the Philosopher Jean-Paul Sartre, a fellow Frenchman only 3 years Cartier-Bresson's senior. They both experienced Paris in the 1920s as the western world's cultural center, as well as the occupied Paris of the Second World War. &lt;br /&gt;This 1946 image of Sartre (along with the architect Jean Pouillon) on the cover of &lt;em&gt;The Philosophy of Jean-Paul Sartre&lt;/em&gt; is one of Cartier-Bresson's most widely recognized portraits. Sartre smokes his pipe, seemingly lost in thought, a virtual stereotype of a philosopher. At first glance, the same photograph appears on the cover of Ronald Hayman's biography of Sartre, albeit with the background of the Post des Arts removed (see 'Multiple Uses' below. Closer inspection, however, reveals this photo not to be the same, but a subtle variant, almost certainly shot on the same roll of film, if not an adjacent frame. KB</text>
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                <text>&lt;span&gt;The profile portrait of the American poet Carl Sandburg reproduced on the cover of this book of letters is actually one of a 6-profile montage Steichen made in his studio. In all likelihood, Steichen was trying to create a sense of time and motion, as metaphor for the rhythm one might experience as the poet recited his works. &lt;/span&gt;&lt;br /&gt;&lt;span&gt;The entire image with all 6 heads may be found at:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;&lt;/a&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html&lt;/a&gt;&lt;br /&gt;&lt;span&gt;The image selected for the book cover is top left on the montage.&lt;br /&gt;To view another section from the same montage on a different book cover, click on 'Multiple Uses' at the bottom of this page.&lt;br /&gt;To view the front cover only of this book, click on 'Multiple Views' at the bottom of this page.&lt;/span&gt;</text>
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              <text>&lt;span&gt;The profile portrait of the American poet Carl Sandburg reproduced on the cover of this book of letters is actually one of a 6-profile montage Steichen made in his studio. In all likelihood, Steichen was trying to create a sense of time and motion, as metaphor for the rhythm one might experience as the poet recited his works. &lt;/span&gt;&lt;br /&gt;&lt;span&gt;The entire image with all 6 heads may be found at:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;&lt;/a&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html&lt;/a&gt;&lt;br /&gt;&lt;span&gt;The image selected for the book cover is top left on the montage.&lt;br /&gt;To view the front cover only of this book, click on 'Multiple Views' at the bottom of thos page.&lt;br /&gt;To view another section from the same montage on a different book cover, click on 'Multiple Uses' at the bottom of thos page.&lt;/span&gt;</text>
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              <text>While Lucien Clergue is best known for his nudes, not unlike like many photographers, he made pictures in a number of genres, including portraiture.  &lt;br /&gt;Clergue's portrait of the renegade Morrocon-born French writer Albertine Sarrazin was one of a number taken in front of the cement wall of a building, possibly her home at the time.  Notice the faint rectangular shadows that spill over to the spine and verso of the wrap-around cover. They are from a lattice-like wall on the left side, out of the picture, and suggest prison bars. &lt;br /&gt;Albertine, who was incarcerated several times during her tragic life, began writing while in jail. She died in 1967 at age 29.&lt;br /&gt; Clergue's original image was made in black &amp;amp; white, but is printed for the book cover in yellow.</text>
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                <text>The Letters of Carl Sandburg</text>
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                <text>The profile portrait of the American poet Carl Sandburg reproduced on the cover of this book of letters is actually one of a 6-profile montage Steichen made in his studio. In all likelihood, Steichen was trying to create a sense of time and motion, as metaphor for the rhythm one might experience as the poet recited his works. &lt;br /&gt;The entire image with all 6 heads may be found at:&lt;br /&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;&lt;/a&gt;&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html&lt;/a&gt;&lt;br /&gt;The image selected for the book cover is bottom left on the montage.&lt;a href="https://www.nps.gov/museum/exhibits/carl/pencil/lincolnBiographer/CARL2486_montageCarlSandburg.html"&gt;&lt;/a&gt;</text>
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          <name>Photographer</name>
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              <text>Brassaî</text>
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              <text>Short stories</text>
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              <text>La Retapé, Boulevard Montparnasse, Paris ca. 1931-2</text>
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