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              <text>Eggleston, William</text>
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              <text>This image by William Eggleston (of which a large detail is reproduced on the book cover) is, like most of Eggleston's photos, untitled except by location and date, and so far I am unable to find a date. For that matter, I am also hard pressed to find a precise location. &lt;br /&gt;What I do know, however, is that the image is reproduced on page 88 of Eggleston's 1990 monograph &lt;em&gt;Faulkner's Mississippi,&lt;/em&gt; which at least gives me the state. It may even be in or near the city of Oxford, where Faulkner made his home, a good 400 miles away from the historic river.&lt;br /&gt;(Interesting to note: in &lt;em&gt;Faulkner's Mississippi&lt;/em&gt;&amp;nbsp;, the &lt;br /&gt;text on the page facing this photograph contains a paragraph or two from Faulkner's original, unpublished introduction to &lt;em&gt;The Sound and the Fury&lt;/em&gt;)&lt;em&gt;.&lt;/em&gt;&lt;br /&gt;Location and date aside, Eggleston's photo provides a fitting cover image, as it itself is roiling and full of fury.&amp;nbsp;&lt;br /&gt;One might wonder, though, what Eggleston, a legendery stickler for the precise hue, value and saturation of his photographs, might think of this iteration of his photo. Reproduced in &lt;em&gt;Faulkner's Mississippi&lt;/em&gt;, it looks more or less like what it is: moving, muddy water. As an illustration for this book jacket, it resembles nothing short of fiery lava.</text>
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              <text>Gall John</text>
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              <text>Fenton, James</text>
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              <text>Magnum</text>
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              <text>Image originally black &amp; white. Hand-tinting for the cover by&#13;
Christine Rodin.</text>
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              <text>Schiff, Robbin </text>
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                <text>All the Wrong Places: Adrift in the Politics of the Pacific Rim</text>
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              <text>Gibson, Ralph</text>
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              <text>Coetzee, J.M.</text>
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              <text>Untitled 1975, (from 'Quadrants') (detail)</text>
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                <text>Slow Man</text>
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                <text>Vintage</text>
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              <text>Stettner, Louis</text>
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          <description>Author of the book upon which the photograph appears</description>
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              <text>White, Edmund</text>
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              <text>La Pause, Restaurant Clauzel, Paris France ca. 1950 (detail)</text>
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              <text>To view an uncropped version of Stettner's cover image, click &lt;a href="https://www.peterfetterman.com/artists/178-louis-stettner/works/19272-louis-stettner-la-pause-restaurant-clauzel-paris-c.-1950-printed-later/"&gt;here&lt;/a&gt;, at Peter Fetterman Gallery website.</text>
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              <text>Blost, Laura</text>
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                <text>Our Paris</text>
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                <text>2002</text>
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              <text>Presidio, Texas, February 21, 1975 (detail)</text>
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              <text>Stephen Shore's original horizontal photograph (originally published in his seminal book, &lt;a href="https://independent-photo.com/news/stephen-shore-uncommon-places/"&gt;&lt;em&gt;Uncommon Places&lt;/em&gt;&lt;/a&gt;, made with an 8x10 view camera, has been cropped into a vertical format for this cover. Additionally, through the magic of Photoshop and a design firm known as the Engine Collective, an orange 1965 Ford Mustang with a black trunk lid (the vehicle of choice for the book's hero) is seen burning rubber in what was originally a dirt-paved back alley, empty save for a black dog and puzzled-looking cowboy.&lt;br /&gt;The Mustang is courtesy of &lt;a href="https://www.superstock.com"&gt;Superstock&lt;/a&gt;.&lt;br /&gt;To view an uncropped version of Stephen Shore's photograph, from the collection of the Whitney Museum of American Art, click &lt;a href="http://stephenshore.net/photographs/uncommon/index.php?page=14&amp;amp;menu=photographs%20https://whitney.org/collection/works/11882"&gt;here.&lt;/a&gt;</text>
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              <text>This cover illustration is a largish detail of one photo (The title, referential in nature, is &lt;em&gt;The deep air&lt;/em&gt;, written in Duane Michals' cursive hand), image #17 of 27, from his slim book-length sequence, &lt;em&gt;The Journey of the Spirit after Death&lt;/em&gt;, published in 1971. &lt;br /&gt;Michals is a pioneer of sequential, story-telling photography, metaphysical in that the most rigorous, unforgiving descriptor of the world - the straight, unmanipulated photograph - is employed to question the nature of 'objective' reality, and our inability to capture or describe it in anything more than the most reductive, superficial sense.&lt;br /&gt;In terms of the image's use as a cover for &lt;em&gt;Foundlings&lt;/em&gt;, it is interesting to note that&lt;em&gt; The Journey of the Spirit after Death &lt;/em&gt;was published in 1971, two years after the Stonewall riots. Michals, a gay man, born in 1932 and raised in the conservative, steel-mill city of Mckeesport PA (as was fellow artist, &lt;a href="https://coveringphotography.bc.edu/items/browse?advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+empty&amp;amp;advanced%5B1%5D%5Belement_id%5D=58&amp;amp;advanced%5B1%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B1%5D%5Bterms%5D=Warhol%2C+Andy&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;user=&amp;amp;public=&amp;amp;featured=&amp;amp;search="&gt;Andy Warhol&lt;/a&gt;), was not publicly out at the time, and remained closeted for some years afterward.&lt;br /&gt;To view an uncropped version of Duane Michals' photograph, click &lt;a href="https://sis.modernamuseet.se/objects/40076/no-title-from-the-series-the-journey-of-the-spirit-after-de?ctx=3a0c0ff40bc2991c66162cd42750881ae709b755&amp;amp;idx=42"&gt;here&lt;/a&gt;.</text>
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                <text>Foundlings: Lesbian and Gay Historical Emotion Before Stonewall</text>
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                <text>Duke University Press</text>
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                <text>2001</text>
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              <text>Carter, Keith</text>
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              <text>Foote, Horton</text>
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              <text>Drama</text>
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              <text>Documentary</text>
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              <text>Santora, Ben</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="61297">
                <text>Grove Press</text>
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                <text>1989</text>
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                <text>Cousins &amp; The Death of Papa: Two Plays from the Orphans' Home Cycle</text>
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          <name>Photographer</name>
          <description>Photographer</description>
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              <text>MacWeeney, Alen</text>
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          <description>Author of the book upon which the photograph appears</description>
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            <elementText elementTextId="61292">
              <text>Grealy, Lucy</text>
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          <name>Book Genre</name>
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            <elementText elementTextId="61293">
              <text>Memoir</text>
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          <name>Photograph Title</name>
          <description>Title of photograph</description>
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            <elementText elementTextId="61294">
              <text>Tinker Child with Cellophane, Ireland 1965 (detail)</text>
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          <description>Notes associated with the item</description>
          <elementTextContainer>
            <elementText elementTextId="61295">
              <text>To view an uncropped version of Alen MacWeeney's image, click &lt;a href="https://www.moma.org/collection/works/56032"&gt;here&lt;/a&gt;.</text>
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          <name>Photo Genre</name>
          <description>Genre of Photograph</description>
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              <text>Documentary</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Autobiography of a Face</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="61289">
                <text>Mariner</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="61290">
                <text>2016</text>
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  <item itemId="6616" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Covering Photography Main Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="58">
          <name>Photographer</name>
          <description>Photographer</description>
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              <text>ParkeHarrison, Robert &amp; Shana</text>
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        <element elementId="52">
          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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            <elementText elementTextId="61283">
              <text>Novakovich, Josip</text>
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            <elementText elementTextId="61284">
              <text>Short Stories</text>
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        <element elementId="54">
          <name>Photograph Title</name>
          <description>Title of photograph</description>
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            <elementText elementTextId="61285">
              <text>The Clearing, ca. 2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Photo Genre</name>
          <description>Genre of Photograph</description>
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            <elementText elementTextId="61286">
              <text>Directorial</text>
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        <element elementId="59">
          <name>Designer</name>
          <description>Designer of book cover</description>
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            <elementText elementTextId="61287">
              <text>de Vicq de Cumptich, Roberto</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="61279">
                <text>Infidelities: Stories of War and Lust</text>
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            <name>Publisher</name>
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              <elementText elementTextId="61280">
                <text>Harper Perennial</text>
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            <name>Date</name>
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                <text>2005</text>
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  <item itemId="6615" public="1" featured="0">
    <fileContainer>
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        <src>https://coveringphotography.bc.edu/files/original/3/6615/Newman-Goldstein72Bag7.jpg</src>
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              <description>A name given to the resource</description>
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        <element elementId="58">
          <name>Photographer</name>
          <description>Photographer</description>
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            <elementText elementTextId="61272">
              <text>Newman, Arnold</text>
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          <name>Author</name>
          <description>Author of the book upon which the photograph appears</description>
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            <elementText elementTextId="61273">
              <text>Goldstein, Rebecca</text>
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          <name>Book Genre</name>
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            <elementText elementTextId="61274">
              <text>Biography</text>
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        <element elementId="54">
          <name>Photograph Title</name>
          <description>Title of photograph</description>
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              <text>Kurt Gödel (Mathematician Institute Of Advanced Study Princeton New Jersey), 1956 (detail)</text>
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              <text>Environmental portrait</text>
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          <name>Designer</name>
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              <text>Lai, Chin-Yee</text>
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        <element elementId="56">
          <name>Notes</name>
          <description>Notes associated with the item</description>
          <elementTextContainer>
            <elementText elementTextId="61278">
              <text>To view an uncropped version of Arnold Newman's portrait of Kurt Gödel, click &lt;a href="https://www.mutualart.com/Artwork/Kurt-Godel--Mathematician-Institute-Of-A/0CEC51D22F85346A"&gt;here&lt;/a&gt;.</text>
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                <text>Incompleteness: The Proof and Paradox of Kurt Gödel</text>
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          <element elementId="45">
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              <elementText elementTextId="61270">
                <text>W. W. Norton &amp; Company</text>
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                <text>2006</text>
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  <item itemId="6613" public="1" featured="0">
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        <element elementId="58">
          <name>Photographer</name>
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              <text>Sieff, Jeanloup</text>
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              <text>Modiano, Patrick</text>
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            <elementText elementTextId="61261">
              <text>Novel</text>
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          <name>Photograph Title</name>
          <description>Title of photograph</description>
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              <text>Ina, Paris 1959 (large detail)</text>
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              <text>Portrait</text>
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              <text>Homans, Katy</text>
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        <element elementId="56">
          <name>Notes</name>
          <description>Notes associated with the item</description>
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            <elementText elementTextId="61265">
              <text>View an uncropped version of &lt;em&gt;Ina, Paris 1959&lt;/em&gt; &lt;a href="https://www.invaluable.com/auction-lot/jeanloup-sieff-ina-paris-1959-588-c-5a24022a7f"&gt;here&lt;/a&gt;.</text>
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            <name>Title</name>
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              <elementText elementTextId="61256">
                <text>In the Café of Lost Youth</text>
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            <name>Publisher</name>
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                <text>New York Review Books</text>
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              <text>Photographer Eugene Richards and writer Dennis Lehane are both native sons of the Dorchester neighborhood in Boston. While Lehane was 9 years old when the busing crisis (which constitutes the background subject of this detective novel) began in 1974, Richards was 30 and fully formed as a photographer. His photograph is perfect for the cover of &lt;em&gt;Small Mercies&lt;/em&gt; in both form and content.</text>
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              <text>Who'da thunk that the California photographer Edward Weston &amp;nbsp;(1886 - 1958) would have photographed the Montreal-born, New York painter Philip Guston (1913 - 1980). Well, he did, in 1930, When the (then) emerging social realist painter Guston was 17, and Weston, 44 years old and about to enter his most important period as a photographer.&lt;br /&gt;The author, Musa Mayer, is Guston's daughter and only child.&amp;nbsp;&lt;br /&gt;Edward Weston had four sons.</text>
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